You've felt it. It's a client response that's a little too short. It's feedback that doesn't quite track. It's a meeting that ends and you're not sure what just happened. It's honestly rarely something specific. It's just a weird shift in the air.
Most designers do the same thing when this happens. We ignore it and keep working. Better not to read into it. The deadline is coming, and the work is good. It's probably nothing… right?
WRONG.
I did exactly this recently. I felt the shift, and I told myself that I could push through and it'd be fine. Welp, that was a mistake.
A couple weeks passed, and by this time the problem had become undeniable, it was still undefinable — and I'd lost those weeks. The work felt directionless, and that weird shift in the air grew to be more complex and a lot harder to fix than it needed to be.
Here's the thing: if you're feeling it, they're probably feeling it too. Clients are humans navigating their own pressures, their own stakeholders, and their own doubts about the work. By naming it, you're actually releasing tension, not creating it.
So when the vibe goes weird-mode, say something, and name it directly. Not "How are you feeling about where we are?" but "Hey, I've sensed something might be off between us and I want to make sure we address it before it affects the work. Is there something on your end we haven't talked about?" Name the weird, and make it safe for them to do the same.
The elephants in the room don't leave on their own. They just get bigger and harder to work around. Say the thing the moment it reveals itself, and prevent those beasts from stomping all over your work.
Stetson Finch, Design Lead
LINK ROUNDUP
1. Current Rothko
Joonas Virtanen built a site that selects the Rothko painting closest to the mood outside your window.
2. Going Postal
The Casual Archivist shares a snippet of Ashley Shiyan Zhu's drool-worthy collection of "First Day of Issue" envelopes and stamps.
3. 5 Minutes with Ira Glass
The public radio host speaks on the frustrating gap of having great taste as a creative, and having enough great taste to know you're not executing at that level (yet).
4. Fonts
"Quick and easy font discovery for busy designers." Maybe you'll find a new favorite.
CREATIVE SPOTLIGHT
A24's latest horror film Backrooms is about the eerieness of liminal spaces, defined as transitional areas (hallways, stairwells, etc.) that exist in-between. This concept started on YouTube and has made it to the big screen. It's bad design as horror, and the production team had to get it just right, testing 30 carpet and wallpaper combinations. Just as good creative work takes skill, so does intentionally designing something so bad it makes people uneasy.
A feature on Dezeen writes, "Production designer Vermette worked with the director to realise the backrooms for his debut feature, and acknowledges it could hold a unique appeal for people in the design and architecture industries. 'I think they're gonna cringe a little bit,' he said."
